Author: Andrea CorelliPage 1 of 4
The case of Conni and Fuzion has shaken the industry: someone cloned her voice using AI and put a “fake” track up for sale on Apple Music. The…
Today I am writing from Ibiza, on the occasion of the International Music Summit. For many of my colleagues, conferences are the terrain of major panels, signed contracts,…
Atul Gawande, in his book “The Checklist Manifesto”, talks about surgeons and pilots, but the logic applies perfectly to a festival or a major live event. There is…
Many managers think Vision is just for American gurus or big tech multinationals. In music, we think “keeping the records spinning” is enough. But when management is vague,…
The painting of Whiskey a Go Go hanging at GEKAI on Stage brings us back to the roots of our craft. It is the temple of live performance,…
It’s the advice I always give my son Francesco when we go climbing together. Put like that, it sounds like a disarming platitude, almost a joke. In fact,…
Managing an artist for stadiums and large arenas means receiving hundreds of requests. Many are tempting: important locations, guaranteed budgets, immediate visibility. But this is where the trap…
In 2015, I had just joined Sony Music Italy. The week before Ferragosto, we released the first major-label album of an electronic artist who was everywhere at the…
“A DJ is not the one who plays records; he is the one who reads the souls of those in front of him.”
In his book “God is a DJ“, Joe T Vannelli touches on a fundamental point that applies to anyone working in music, from promoters to A&R’s: empathy with…
The short answer is no. It all depends on “how” the platform decides to slice the subscription pie. On one side, we have the pro-rata model (used by…