Music Industry Professional and Advisor

Autore Andrea Corelli

When I was a kid, I used to stare at DJs on TV. Then I became one of them.
For 25 years, I lived music at night: clubs, consoles, tours.
But the real journey began when I stopped playing it and started making it.

๐ŸŽง From Universal to Warner Music, where I launched the dance division;
๐Ÿ’ฟ then my own independent label, and at the same time a digital startup, back when the word startup didnโ€™t even exist;
๐ŸŒ and finally Sony Music, where I had the chance to work on international projects like The Chainsmokers, Jain, and Purple Disco Machine, and to build the music career of Carolina Benvenga from scratch.

In the meantime, I started my best startup, the one that brings all those unexpected tasks that come with it: my family.

In 2020, in the middle of the pandemic, I shifted from selling music to selling student travel at ScuolaZoo. And I fell in love with Gen Z, even though some of them had never heard of Daft Punk.
And long before Gabry Ponte made โ€œTutta lโ€™Italiiiiaaaaโ€ jump, he knocked at my door, looking to rebuild his live activity after Covid. In just a few years, we took his music from clubs to arenas, all the way to the legendary San Siro stadium in Milano: 56,000 people, a shared dream turned into reality.

Along the way, I also put my experience at the service of new talents as an advisor at HAT Music, a startup helping emerging artists build their own path.

๐—›๐—ผ๐˜„ ๐˜„๐—ฒ ๐—ฐ๐—ฎ๐—ป ๐˜„๐—ผ๐—ฟ๐—ธ ๐˜๐—ผ๐—ด๐—ฒ๐˜๐—ต๐—ฒ๐—ฟ
๐Ÿญ) ๐—ฆ๐˜๐—ฟ๐—ฎ๐˜๐—ฒ๐—ด๐—ถ๐—ฐ ๐—ฐ๐—ผ๐—ป๐˜€๐˜‚๐—น๐˜๐—ถ๐—ป๐—ด ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ ๐—ถ๐—ป๐—ฑ๐˜‚๐˜€๐˜๐—ฟ๐˜†
For artists, labels, dance teams, recording projects, and Music Tech companies.
โ†’ Understand what works, what doesnโ€™t, how to adjust path, and where to invest energy to grow.

๐Ÿฎ) ๐—ฆ๐—ฝ๐—ฒ๐—ฎ๐—ธ๐—ฒ๐—ฟ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ฎ๐—น๐—ธ๐˜€, ๐—ฐ๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—น๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€
I bring real stories, data, processes, and the mistakes the industry never talks about.
โ†’ For masterโ€™s programs, festivals, corporate events, and music industry panels.

๐Ÿฏ) ๐—”๐—ฑ๐˜ƒ๐—ถ๐˜€๐—ผ๐—ฟ, ๐—ฏ๐—ผ๐—ฎ๐—ฟ๐—ฑ ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ
For companies looking to enter the Italian market or understand its dynamics.
โ†’ Market insight, network, strategy, positioning.

I believe in three simple things:
๐—›๐—ผ๐—ป๐—ฒ๐˜€๐˜๐˜†. ๐—ฆ๐—ถ๐—ป๐—ฐ๐—ฒ๐—ฟ๐—ถ๐˜๐˜†. ๐—๐˜‚๐˜€๐˜๐—ถ๐—ฐ๐—ฒ.
The same values that guide my work every day.

And when Iโ€™m not working, youโ€™ll find me climbing in the Alps, tinkering with new technology, or planning my next trip.

Sono usciti i dati delle classifiche relative al consumo di musica in Italia nel 2025

Come sempre FIMI – Federazione industria musicale italiana e GfKci forniscono la fotografia dellโ€™anno appena terminato. Al netto delle riflessioni che si possono fare sui dati stessi, provo a dare il mio contributo leggendoli dal punto di vista del promoter…. Continua a leggere →

โ€œIo non ci capisco niente di musica. Nel mio campo non ce nโ€™รจ bisognoโ€ (ELVIS PRESLEY)

“Lascia perdere, tanto Andrea Corelli non capisce un ca**o di musica.” Un poโ€™ come Elvis Presley. E forse il punto รจ che non serve. Durante le feste ho ripreso in mano questo divertente libro di John Niven con la citazione… Continua a leggere →

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